Thursday, 25 April 2013
'In The Crowd' - 100 Unseen Pictures Of The Jam out 16th May
On May
16th Marshall Cavendish & Delicious Junction publish 'In the Crowd' – a new
book by celebrated photographer Derek D'Souza.
The book
features 176 pages in full colour, with over 100 unseen images of The Jam.
Looking
back over the shots, Weller said "These pix bring back so many memories.
It's nice to see these pix in print after all these years!"
Pre-order
'In The Crowd' now at www.amazon.co.uk or reserve a strictly limited numbered
edition by contacting jon.abnett@phoenixphotosetting.co.uk
Derek
D'Souza will be signing copies of the book at Pretty Green's Carnaby Street
Store on Saturday 18th May, between 11am and 1pm.
Brett 'Buddy' Ascott to drum for The Moment in 2013
Legendary Mod drummer (and top Spurs fan), Buddy Ascott, is to play drums with The Moment in 2013.
So far Buddy has ruled the drum stool for The Chords, The Rage (I still have a pair of his broken sticks from the Lincoln Mod Rally in 1985 where The Threads supported them), Pope and Mod super-group Speakeasy, as well as being drummer in the 'house' band for the Mod Aid 20 single.
On top of that, he is a really nice guy too - looking forward to seeing Buddy with The Moment in 2013!!!!!!!
So far Buddy has ruled the drum stool for The Chords, The Rage (I still have a pair of his broken sticks from the Lincoln Mod Rally in 1985 where The Threads supported them), Pope and Mod super-group Speakeasy, as well as being drummer in the 'house' band for the Mod Aid 20 single.
On top of that, he is a really nice guy too - looking forward to seeing Buddy with The Moment in 2013!!!!!!!
Wednesday, 24 April 2013
David Bowie 1965! 7" EP – did anyone pick this up on Record Store Day?
Did anyone manage to pick up this excellent 7" EP on Record Store Day (20th April)?
Unfortunately this EP, along with The Strypes and Paul Weller 7" releases, were not available in the nearest handful of participating stores to me - which kind of defeats the point of the day and undermines the support that they are trying to attract/retain!!!
The
David Bowie 1965! EP is a 4-track 7” which collects together both of the
singles Bowie released in 1965, with The Manish Boys and The Lower Third
respectively.
If the
release seems at all familiar, that may be because it’s been available since
2007 as a digital release. The EP was also released in the same 4-track vinyl
format in 1979.
David Bowie 1965! EP 7” Record Store
Day exclusive
7” black
vinyl (World excluding US & Canada)
A
1. The
Manish Boys – I Pity The Fool
2. The
Manish Boys – Take My Tip
AA
1. Davy
Jones & The Lower Third – You’ve Got A Habit Of Leaving
2. Davy
Jones & The Lower Third – Baby Loves That Way
The Moment 7" 'Goodbye Tuesday' available to pre-order now!!!
News has just reached the Modernist Society Blog from the Heavy Soul HQ that the new 7" single from The Moment, 'Goodbye Tuesday', is available to pre-order now from www.heavysoul45s.co.uk ahead of its official May release.
It is advisable to pre-order quickly (as I have already done) as this is a limited edition pressing and once they have gone, they're gone, and you'll have missed out.
The Moment are also featured in a special 'Classic Mod Band' supplement that comes free with the new edition of the Heavy Soul Fanzine and includes an exclusive new interview with main man, Adrian Holder.
It is advisable to pre-order quickly (as I have already done) as this is a limited edition pressing and once they have gone, they're gone, and you'll have missed out.
The Moment are also featured in a special 'Classic Mod Band' supplement that comes free with the new edition of the Heavy Soul Fanzine and includes an exclusive new interview with main man, Adrian Holder.
Secret Affair release new single, ‘All The Rage’ c/w ‘Black Cat’ (I-Spy)
The new
Secret Affair single’ ‘All The Rage’, is taken from their fourth studio album, ‘Soho
Dreams’, and is available on iTunes now.
The instrumental,
‘Black Cat’, originally recorded by Brian Auger is the B-side to the new single
and features Andy Fairclough on Hammond, Stephen Wilcock on Saxophone, Russ
Baxter on Drums, Ed Pearson on Bass and Steve Rinaldi on Trombone.
Monday, 22 April 2013
Saturday, 20 April 2013
Friday, 19 April 2013
‘Live at Hull 1970’ (Polydor) – The Who - CD Review
A recent
release by The Who on Polydor is their ‘Live at Hull’ double album recorded on
15th February 1970. Originally intended for release back in 1970,
the master tapes revealed that the mobile studio unit hadn’t picked up the bass
guitar on the first 6-songs, leading to their gig of their previous evening in
Leeds being used for the now legendary ‘Live at Leeds’ LP.
With the
original tapes of the Hull gig re-examined, baked to prevent oxidisation, and
the music transferred to a digital format, the album went through a restoration
process that included, effectively, the cut and paste of the bass guitar from
the Leeds show to make the Hull recordings complete. And on playback, the Hull
show was found to be very impressive indeed.
Back in
1970, after extensively touring ‘Tommy’ around the world, The Who were as tight
as a drum and as good a ‘live’ attraction as you were likely to see back then.
So what do we get with this new release? The Who in all of their pomp and glory
of that time, ripping through their regular set opener, ‘Heaven and Hell’,
before launching into debut single, ‘I Can’t Explain’. The usual set of the
time was followed in ‘Fortune Teller’, ‘Tattoo’, ‘Young Man Blues’ (somewhat
heavier than Mose Allison did it!), ‘Substitute’, ‘Happy Jack’, ‘I’m A Boy’, ‘A
Quick One While He’s Away’, ‘Summertime Blues’, ‘Shakin’ All Over’ and an
almost 16 minute version of ‘My Generation’.
But that’s
not all – CD 2 features a 20-song ‘Tommy’ set meaning that you really do get
value for money with this release.
Although
somewhat heavy in places for some of the purists on the scene (you have to remember,
this was 1970 and a long way on (musically) from 1965), this is a fabulous
bonus for fans of The Who who’d always wondered what the originally intended
Hull release was like, and a great companion to the ‘Live at Leeds’ album that
we’ve known for all these years.
Review of ‘Boogie Chillen – Early Mods’ First-Choice Vinyl’ (Fantastic Voyage) – 3-CD Compilation Album
This
well produced 3-CD collection has been compiled by original early sixties Mod,
Robert Nicholls, based upon the sounds he heard in dance halls and clubs and collected in the 1960 to 1963 period. In
fact, all of the recordings here date from the years 1952 to 1962.
In the
extensive 20-page illustrated booklet that accompanies this release, Robert
talks us through going to the Under 21 Night at The Royal in 1960 and 1961 to
hear some “good R&B” along with the other ‘Individualists’ and early Mods,
and quotes some early recollections of the Lyceum in Aldwych from early Mod DJ
Jeff Dexter. Indeed it is the Lyceum ballroom where Robert says he first saw
Mods in significant numbers in autumn 1961.
Each CD
has its own focus and title – CD 1 is ‘Boogie Chillen’ and is predominantly
Blues and R&B focused, featuring the likes of John Lee Hooker, Muddy
Waters, Bo Diddley, Slim Harpo, Clyde McPhatter, Howlin Wolf, Cannonball
Adderley etc. with the occasional surprise inclusion (here, it’s Johnny &
The Hurricanes’ ‘Red River Rock’ and Neil Sedaka’s ‘One Way Ticket’).
Disc 2
is entitled, ‘Let’s Go, Let’s Go, Let’s Go’ and encompasses the progression
towards Soul via Rosco Gordon’s ‘Just A Little Bit’, James Brown, Ray Charles,
Jimmy Reed’s ‘Big Boss Man’, Bobby Bland, Ike & Tina Turner and The
Impressions etc.
When we
get to the third CD, we are in ‘Land of 1,000 Dances’ mode with Don & Bob’s
‘Good Morning Little Schoolgirl’, Bobby Parker’s ‘Watch Your step’, Chuck
Jackson’s ‘I Keep Forgettin’, Ritchie Barrett’s ‘Some Other Guy’ and Jimmy
Smith’s ‘Walk on the Wild Side’ amongst others.
Overall,
this is a very interesting musical documentation of the early London Mod scene
from the view of one of its early participants. You will probably be familiar with
much, if not all, of the material collected together on these three discs, but
it has to be remembered how difficult it was to hear, let alone buy, these
records back in 1961/62. And that is what makes this collection of songs and
booklet so interesting to those of us who weren’t there in the early sixties
but who want to get a better idea of what it was really like.
‘Jake Bugg’ (Mercury) by Jake Bugg - Album Review
After
playing Jake Bugg’s eponymously titled album to death over the past few weeks,
it is only fair that I finally get around to writing my review of it. So here
goes…
Jake
Bugg is a very talented 18-year old singer/songwriter from Nottingham who has
recently recorded a slot on the ‘Live at Abbey Road’ TV series and played some
high profile gigs over in New York. His style takes in a Britpop feel with
distinct echoes of Bob Dylan in his voice that he uses to great effect as he
sings about his life growing up in the East Midlands.
You’re
probably all familiar with the first track on here; his ‘Lightning Bolt’ single
has been a popular tune on the radio for some time now. A gritty and pacey
number, ‘Lightning Bolt’ is a great opener to this album.
Jake’s
humour comes out on the next number, ‘Two Fingers’, where he sings of going
back to the Clifton area of Nottingham to see his old friends whilst at the
same time ‘avoiding the Feds’. This is another Jake Bugg A-side.
The
singles continue back-to-back with another cracking song, ‘Taste It’, which
really starts to give the impression that this is a ‘Greatest Hits’ album – no mean
feat for the 18-year olds debut long player.
Next up
is my own personal favourite of this 14-song set of originals, ‘Seen It All’,
about going to a party having taken a few pills to then discover that most of
the other part goers are packing knives and the mounting tension boils over.
The mood
turns more acoustic with the delicate but beautiful, ‘Simple As This’, and the
style remains similar for yet another single, ‘Country Song’.
This
impressive debut album continues to impress throughout with ‘Note To Self’
being my highlight of the remaining songs.
Jake Bugg
is clearly a very gifted singer, musician and songwriter and I will be
interested to see how far he can take it. And whilst we have the young talent
of Jake Bugg, along with The Strypes of course, then the music scene promises
to stay vibrant for some time to come.
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