Thursday, 5 September 2013

Carnaby Street Photo - May 1964: A ‘Mod’ girl gets measured for a suit.


http://www.buzzfeed.com/ailbhemalone/marvellous-photos-of-carnaby-street-in-the-60s?s=mobile

Carnaby Street Photo - February 1964: Tailor John Stephen, with his Rolls Royce outside his shop.


http://www.buzzfeed.com/ailbhemalone/marvellous-photos-of-carnaby-street-in-the-60s?s=mobile

The Strypes – latest news and a free EP on Amazon


The Strypes say, “The track-by-track video for our debut album 'Snapshot' is now online!

The album launch at the Electric Ballroom in London next Thursday 12th September is now SOLD OUT but you can still be in with a chance of winning a pair via their website.

Don't forget that our album 'Snapshot' is finally released next Monday 9th September! For those of you that can't wait until then to get hold of some new music from us, don't worry! We've just dropped a live mp3 album for free download over at Amazon, which you can pick up here right now, or take a listen to the Spotify Live Session we did.

Finally - a limited amount of wristbands will be available for entry to an in-store gig that we're playing at Rough Trade East next Wednesday 11th September for those of you that pick up a copy of our album in the store from Monday 9th September. Can't make it down on the day? Have no fear. A limited number of streaming passes will be available online next week also.”

How The Who’s Stolen Equipment Led To The First 100-Watt Amp


Nowadays a 100-watt amplifier or a large “stack” amp is a mainstay of heavy metal bands and big, loud live rock shows. But they were once considered impossible to pull off – until Pete Townshend and John Entwistle insisted otherwise.

In the summer of 1965, The Who debuted new amplifiers and equipment from Vox. But the guys believed their new brand new stuff would attract potential thieves, so they decided to shop for a guard dog.

Well, in one of the more ironic twists in rock history, while the band was inside the Battersea Dogs’ Home shopping on September 4, 1965, the van containing their new equipment was indeed stolen. Turns out they were right! But that one theft turned out to be something of a blessing in disguise for both The Who and the now-legendary amp brand Marshall.

Townshend and Entwistle had tried Marshall amps before, but their 50-watt models weren’t loud enough to overpower the crowd noise (and Keith Moon’s relentless pounding on the drums). Even though they were already dissatisfied with the sound of their Vox equipment, the stolen van prompted them to return to Marshall to create something new.

Sure enough, they came back to Townshend with 100-watt heads and a giant 8×12 speaker cabinet stacked on top of each other, and thus the “stack” amp was born. The model proved too unwieldy for roadies, however, and evolved into two 4×12 cabs that he stacked on top of each other.

It’s been said that Townshend designed the amp himself, but in actuality he just inspired the concept.

This is just another big reason The Who have a reputation of being one of the loudest bands in rock history…And another reason Townshend today struggles with his hearing.

Wilko Johnson: Sir Elton John's Award Tribute


Sir Elton John has paid tribute to terminally ill British guitar legend Wilko Johnson by presenting him with an award he had just received himself.

The singer, who had been handed the Genius award at the GQ ceremony by the Dr Feelgood musician, promptly handed it back to him declaring: "You're the f*****g genius here."

Sir Elton added: "He's too busy living life to think about f*****g dying."

Speaking later, Johnson, who has cancer of the pancreas and has chosen not to undergo treatment, said he was "very, very touched" by the gesture.

He said: "I didn't expect it, but I'll probably put the award on my mantelpiece like you're supposed to."

A founding member of the 1970s Essex band Dr Feelgood, noted for his exuberant performances and mad-eyed stare, Johnson later went on to lead his own band and had a stint in Ian Dury's band The Blockheads.

He has won a new generation of fans who watch him on the TV fantasy series Game Of Thrones, in which he appeared as silent executioner Ilyn Payne.
 

Did you see Ska group Symarip in 1960s?


An Oxford film maker is looking for people who saw the ska group Symarip in the late 60s and early 70s for a new film.

Sharon Woodward, a fan of the group, is a director specialising in local heritage, who recently made a documentary about her own adolescence called Thank you Skinhead Girl.

Symarip was formed in the late 1960s and had also been known as The Bees, The Pyramids, Seven Letters and Zubaba.

GQ Magazine Men Of The Year Winnesr 2013 - Editor's Special: Roger Daltrey


There are two sides to the Who, both equally valid but often at war with one another. While Pete Townshend freely admits to overthinking every element of his life, Daltrey is one of life's doers - and all the better for it. He remains one of the best rock frontman: a man of passion, force and formidable charisma. He is an Icon who wears the title lightly - in recent years when he's not been recording dynamite tracks like "Black Widow's Eyes" he's been working tirelessly on the Teenage Cancer Trust concerts. This year he's toured Quadrophenia + More (no, not on a moped) and we can't wait to hear the definitive version of rock opera Tommy due out in November. At 69, he remains the benchmark by which all future frontmen will be measured. As lifelong fan Jeremy Clarkson explains in our new issue: "Everybody should be forced to go and see the Who before they're allowed to pick up a microphone."

Read the full exclusive interview and photo shoot in the The Men Of The Year Issue of British GQ, on sale 4 September, priced £3.99.

Wednesday, 4 September 2013

Pop Art Bridges Sixties Mod with Modern Tech by Kelly Reid (Kingstonist)

Walking into the new Pop Art series by Cam Schaefer at Studio 22, it’s easy to see where he draws his inspiration. The comic book lines of Roy Lichtenstein and the starkly banal subjects of Andy Warhol immediately come to mind. For instance, one of Schaefer’s most recurring images is a simple Holstein’s head. The cow is reproduced in varying colours, sizes, and media – but always with incongruous hilarity that flies in the face of Capital-A “Art.” This is Art that has fun.

Schaefer is a local artist and musician and has been working on his Pop Art series for about a year. Though his work hearkens back in many ways to the 1960s, Schaefer’s process is surprisingly technical and twenty-first century.

“I draw small images with brush and India ink,” explains Schaefer. “I take a photo of the completed image with my cell phone and email it to Hersh Jacob.” Jacob is the owner of Studio 22. Jacob then alters the image via computer, fiddling with texture and colour, before emailing the image back to Schaefer. “I reproduce by hand several iterations of the image,” Schaefer goes on. Jacob then makes glycee prints and sends other images off for silkscreen printing.

Sound complicated? The simplicity behind Schaefer’s graphic tulips and cows belies the inordinately technical process. Most of Schaefer’s work is a progression of recurring images with variations: red, yellow, blue; small, larger, largest. The seriality of his work is as much a comment on the convolutedness of production as on the retro commercialization of art. Or, perhaps more accurately, Art.

But Schaefer is certainly having fun while he’s at it. The pièce de resistance of his exhibit is the ubiquitous pointing finger. Available on buttons, on postcards, and on prints, the pointing finger of varying hues is everywhere in the collection. The endless fingers cheekily implicate us, the viewers. “I’m often a bad machine,” says Schaefer of his attempts to make his works of art as uniform and precise as possible. With Schaefer pointing so many fingers (quite literally) at us, I suppose I should consider my own uniformity, my deference to commercialism, my endless use of technology, my own – as it were – machinery.

Then again, maybe Schaefer is just giving us all the finger.

The Pop Art series runs at Studio 22 between August 17th and September 15th. - See more at:

Button Up announce new album and gig dates


A new Button Up album, ‘Beat Street’, will be recorded at Greg Kane’s Studio in Glasgow in January 2014. Button Up have joined Pledge Music on this project.

Button Up have some really special gigs coming up...

Friday 11th October
Paisley MOD Festival @ Bungalow Bar, Paisley

Saturday 2nd November
Brown Bull Bar, Lochwinnoch nr Paisley

Saturday 9th November - 8pm
Shildon Civic Hall (Tighten Up 2 Fest), nr Durham

Friday 29th November - 8pm
Blues Kitchen (ZooZoo Club), Camden, London

Saturday 30th November - 8pm
The Adam & Eve, Digbeth, Birmingham

Friday 6th December - 8pm
Berit and Browns, Eurocentral M8
(Acoustic Set) Opening Glen Tilbrook (Squeeze)

Friday 27th December
Georgian Hotel, Coatbridge
In aid of Norries Kitchen

Friday 21st March 2014 - 4pm
Classic Grand (March of the MODS), Glasgow

Saturday 3rd May - 9pm
The Cavern Club (MOD Culture weekender), Liverpool

Record Kicks Fest at The 100 Club on 9th November


Paris Magic City - 14th December


The Mark Three release second LP, 'Happy Today', on coloured 12" vinyl

  https://marklegallez.bandcamp.com/