Wednesday, 19 June 2013

Keele University ‘Teenage Kicks’ Subcultures Conference on 11/12/13 July to feature Don Letts, Alan Fletcher, Shane Blackman, Bill Osgerby, Scott Wilson & Paul Hooper-Keeley


This interdisciplinary and international conference aims to bring together researchers and academics working in the field of subcultural studies, and in particular in their representation in fiction and film.

The full programme for the ‘Teenage Kicks: The Representation of Youth Subcultures in Fiction, Film and Other Media’ Conference has been announced by Keele University: -

Thursday 11 July

Keynote: Professor Scott Wilson (Kingston), ‘Subcultures and (Para) academia: the case of Black Metal Theory’

Subcultures Network Panel

Pete Webb (Cambridge), ‘Literary Yobs and Hooligan Misfits: Developing a Narrative and Reflexive Understanding of British Working Class Culture Through Key Literary Works

Lucy Robinson (Sussex), ‘Colin MacInnes and “The Boy” Ray Gosling’

Bill Osgerby (London Metropolitan), ‘Raw Rumbles in the Juvenile Jungle: Delinquency, Deviance and Depravity in American Pulp Fiction of the 1950s’

Panel 1: Subcultural Film in the 1950s and 60s

Rehan Hyder (UWE), ‘Youth, Hysteria and Control in Peter Watkins’ Privilege

Johnny Hopkins, ‘”Teenagers terrorised a city last night”: The impact of the British media response to the fans’ reaction to Rock Around the Clock

André Grzeszyk, ‘Film History and the Generation Gap’

OR

Panel 2: Subcultural Children and Young Adults

Alejandro B. Gomez (UPenn), ‘Canon X: Generation X peer group personality as seen in the Young Adult Fiction genre’

Shubhada Khedkar (York) ‘Portrayal of Street Children and Youth in Bollywood Movies’

Anthony T. McKenna, ‘Sion Sono’s Subcultures: Empowerment and the Impressionable’
 
Reading: Alan Fletcher, (author of Quadrophenia and the Mod Crop Trilogy)

Film Screening of Subcultures and Q & A session with Don Letts (director of The Punk Rock Movie, The Clash: Westway to the World, and Subcultures).
 
Friday 12 July

Keynote: Professor Shane Blackman (Canterbury), ‘Mods!: A cosmopolitan youth subculture?’

Panel 1: We Are the Mods!

Steve Glynn (De Montfort), ‘”Teenage Dreams or Teenage Wasteland”? Quadrophenia and the Cult Film Experience’

Alice Ferrebe (Liverpool John Moores), ‘Colin MacInnes’s Adventures in Teenage Anthropology’

Paul Hooper-Keeley (Derby), ‘Fact or Fiction – Mod or Myth?’

OR

Panel 2: International Hip Hop and R’n’B

Chris Warne (Sussex), ‘Curiosity, fear and control: the representation of hip-hop on French television, 1985-1995’

Dave Ellis (Wolverhampton), ‘”The New Parochialism”: Youth Cultures in Courttia Newland and Alex Wheatle’

Henry Witecki (California College of Arts), ‘Suddenly Another Me Is Dead: The Art of Tyler, The Creator’

Panel 1: Skin Games

Caitlin Shaw (De Montfort), ‘”Still Skinhead at Heart: Nostalgia and Skinhead Culture in Contemporary British Period Drama’

Tom Parry (Glamorgan) ‘”Booted and Braced”: A textual analysis of the media representation of global skinhead subculture’

Joseph Webb (Canterbury), ‘Musical subcultures and hardcore video games’

OR

Panel 2: Punked!

Will Davies (Keele), ‘Jarman’s Jubilee: An act of resistance?’

Melani Schroter (Reading), ‘Normality Kills. Discourses of Normality and Denormalisation in German Punk Song Lyrics’

Joan Ormrod (MMU), ‘British surfers’ reception of pure surf movies in the 1960s and 1970s’

Reading, Film Screening and Discussion

Guy Mankowski (Northumbria), ‘How I Left The National Grid: a Creative Writing PhD concerned with post-punk subculture and identity’

Graham Roberts (Leeds Trinity) and Stephen Hay (Leeds), JOE STRUMMER SLEPT HERE

Reading - Alex Wheatle (author of Brixton Rock, East of Acre Lane, and The Dirty South)

Saturday 13 July

Panel 1: Rave On

Matthew Cheeseman and David Forrest (Sheffield), ‘The Narrative Nightclub and Individual Agency in British Cinema’

Andre Rinke (Kingston), ‘“The Weekend has landed! – Rave and club cultures on film’

Pete Dale (Oxford Brookes), ‘Chava: Underclass Subculture in the North East of England’

OR

Panel 2:  Subcultural Noir

Jo Croft (Liverpool John Moores) ‘”Destruction After All is a Form of Creation’: Donnie Darko, and the Spatial Dynamics of the Teenage Dreamer’

Catherine Spooner (Lancaster), ‘Makeover / metamorphosis: techniques of transformation in Goth(ic) narratives

Gerry Carlin and Mark Jones (Wolverhampton), ‘Charlie’s legions: the Manson Family and subcultures of nihilism’
     
Panel 1: Subcultures: Forms, Histories and Theories

Jens Holze (Otto von Guericke University of Magdeburg), ‘Identifying patterns of 20th century youth culture using neo-formalistic film analysis’

Maria A. Velez-Serna (Glasgow), ‘”Like nothing I’ve heard before”: Popular music and historical perspective in multi-strand films’

Keeley Hughes (Keele), ‘From Exaltation to Abjection: positive and negative subcultures in Quadrophenia and Ill Manors

OR

Panel 2: Metalheads

N.A. Hassan (Liverpool John Moores), ‘Metal goes to Hollywood: a critical analysis of heavy metal in 1980s cinema’

Abigail Gardner (Gloucester), ‘Vice TV, Norwegian Black Metal and Telling it like it always has been’

Andy Brown (Bath Spa), ‘‘‘You’re all partied out, dude!’: The mainstreaming of heavy metal subcultural tropes, from Wayne’s World to Beavis and Butthead’

Research Methods Workshop        

Interviews, Representation and Authenticity: How to Record Subcultural Experience.

The conference organizers are Dr Nick Bentley, Dr Mark Featherstone, Dr Beth Johnson and Dr Andy Zieleniec. The conference is in association with the Keele University’s Humanities Research Institute, Keele Centre for Contemporary Cultural Studies, and the Subcultures Network: The Interdisciplinary Network for the Study of Subcultures, Popular Music and Social Change.

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