You
probably know them best as Dexys Midnight Runners, the British ensemble that
topped the charts in several countries with the irresistible 1982 single
"Come On Eileen" (it stalled at No. 6 in the States). While that was
their sole U.S. hit, they had others in their homeland, including "Geno,"
their tribute to soul singer Geno Washington; "There, There, My
Dear," and "Jackie Wilson Said (I'm in Heaven When You Smile),"
as well as two top 10 albums, 1980's Searching for the Young Soul Rebels and
1982's Too-Rye-Ay. Following the release of their third effort, 1985's Don't
Stand Me Down, which stalled at No. 22 on the U.K. album chart, but was
considered an artistic triumph, they called it a day -- only it turned out to
be 27 years.
After
several false starts — and 1999's My Beauty, a solo album of interpretations of
classic tunes by frontman Kevin Rowland on which he appears in drag on the
cover (more on that later) — Dexys reunited with original members Jim Peterson,
Pete Williams and Mick Talbot, the latter best known as Paul Weller's partner
in the Style Council. Trombonist Paterson, who first joined the band in 1978
after he traveled from Scotland for an audition, says it happened via various
run-ins with Rowland at tragic and celebratory occasions.
"I
was a good friend of [Kevin's] brother as well, and unfortunately he died. I
met [Kevin] at the funeral and we talked to each other. We just realized that
we're such a good combination, not just me obviously, the whole group,"
Paterson recalls. "He didn't ask me at that date, because it was obviously
a bad time. Then I saw him again at his niece's wedding in Ireland, and we got
talking. We got in contact again a couple months later, and he said, 'Look, I'm
doing this new LP, are you interested?' And I said, 'I'll have to think about
it,' but it didn't take me very long to say yes."
With new
recruits Neil Hubbarb, Tim Cansfield and vocalist Madeleine Hyland joining the
fold, the resulting LP, One Day I'm Going to Soar, is likely the best album you
may not hear this year, unless of course, you seek it out following its Sept. 3
release. It was issued last year in the U.K. to near unanimous praise, with
Simon Price of The Independent calling it "the soul album of the
century." While that praise may be a bit over the top, it is surprisingly
good, and Rowland and Peterson know it.
"It's
a huge and brilliant LP," says Paterson. "If you've seen us play it
live, we do the whole thing in the show. People are just knocked out. We get
standing ovations every night and we deserve the plaudits we get because we are
good and the album is brilliant."
One Day
I'm Going to Soar is a narrative about a relationship that begins with
"Now," and runs through the initial stages of attraction ("She
Got a Wiggle"), infatuation ("I'm Thinking of You"), love
("I'm Always Going to Love You") and heartbreak ("Incapable of
Love"). And it's all top-notch material, so much so that "I'm Always
Going to Love You" might be the best male-female duet about the
dissolution of a relationship since the Human League's "Don't You Want
Me."
"This is like our first album in a lot of ways," Rowland says. "I know that might sound ridiculous. We've had a lifetime to write it — 27 years." He adds that six or seven years ago, they realized that the songs they had demoed worked as a cohesive piece. "I remember thinking, if we put these songs in this order, it will tell a story, and once we had that, we started writing over bits and pieces to make that more congruent as a narrative, like we'd sort of let one song roll into another or we reference one song title, like at the end of 'I Will Always Love You' I say, 'Maybe I'm incapable of love.' It happened organically, really."
As for
the new abbreviated name, Rowland says there was good reason to make the
change. "What we wanted to do was say it's us, but we're different now;
that was the reason for it. Dexys Midnight Runners is a young name, really, and
we're trying to say we're not the same anymore."
Paterson
adds, "And we can't run anymore, because our knees are knackered,"
before adding that Rowland is still "super fit" and he's "in
awe" of his energetic performances.
We note
that a lot of their peers from the '80s are content to tour as retro-acts
playing greatest hits sets, which is something that Dexys has no interest in.
"I'd rather slit my wrists that do that," Rowland says. "I
couldn't do it. I would have to be sedated."
During
our conversation, we joke that we're happy to see that Rowland isn't the one
wearing a dress on the cover of the album this time, referencing his infamous
photo on the cover of My Beauty. The phone line goes silent for several
seconds, until we observe that our attempt at humor went over like a lead
balloon. Later, we try to bring up the subject again, but we never get to
chance to tell Rowland that we understand he was following a long-line of
rockers that experimented with cross-dressing The Rolling Stones and David
Bowie to Kurt Cobain. "It was 15 years ago," Rowland snaps.
"Nothing to tell. All the past stuff is well documented. You can find it
all on the Internet. You get it or you don't get it. If you get it, great. If
you don't, it's all right. That's what I wore, I liked it, but I don't even
want to talk about it."My Beauty
That
solo album was issued on Creation Records, the legendary British indie run by
Alan McGhee, that was home to such notable acts as the Jesus and Mary Chain,
Primal Scream, My Bloody Valentine and Oasis. It was almost the home for the
Dexys comeback as well, but "Creation went bust," Rowland says.
Against
all odds, Rowland continued to work toward Dexys' triumphant return. "If
we had taken the revival route, in the short term, we'd get more money, but it
does mean something to us. Dexys does mean something to us. And that's one of
the reasons it took so long, because we were aware of what we've done in the
past and we didn't want to do anything that didn't live up to it."
Proudly,
One Day I'm Going to Soar not only lives up to Dexys' past, it may surpass it.
In short, Dexys are soaring again. Catch 'em while you can.
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