It's
taken a decade for the show to reach the South West so there's an extra air of
anticipation at the Theatre Royal Plymouth.
There's
those infectious tunes, for starters: the title song, Baggy Trousers, My Girl,
Driving In My Car, The Wings Of A Dove and It Must Be Love, all by the ska
band, of course.
The book
is by Tim Firth (of Calendar Girls fame) and Our House bagged the Olivier for
best new musical in 2003. And yet the reviews were mixed and Our House lasted
only ten months in the West End.
There
have been revivals and successful tours since, including Japan (2006) and parts
of the UK in 2008..
By all
accounts the show is getting better by degrees.
"I've
seen several productions over the years including the West End show and touring
productions but this is something special," says Chris Foreman, joining
the chorus of approval. "These guys are amazing."
High
praise indeed from the man better known as Chrissy Boy, who co-founded the ska
band in 1976 with Mike Barson on keyboards and saxophonist Lee Thompson (Graham
McPherson, aka Suggs, joined 1977).
Chris
was one of the band's main songwriters and says the key figures were happy to
give the venture their blessing with roles in executive production.
"There
is a misconception that the show is about us," says Chris. "There's a
strong story and our songs just complement it."
Our
House follows Joe Casey on his 16th birthday, eager to have a good time with
his girlfriend. He breaks into a new luxury apartment to impress her. When the
police turn up he has to choose between legging it and facing the music.
We are
in split narrative territory, following two characters – Good Joe and Bad Joe –
and their two stories.
Perhaps
the confusion between show fiction and band fact wasn't helped by Suggs
appearing as Joe's dad for part of the West End run.
Madness
have had their own split narrative, too: fracturing and reuniting in various
forms several times.
The first
big split was in 1986. Chris reunited with the rest in 1992 and they rolled on
until 2005, when he left again, only to return in 2006.
There
have been many highlights since, including the wonderful "One's
House" performance at Buckingham Palace for the Queen's Diamond Jubilee
celebrations, and "opening" the closing ceremony at the London
Olympics.
Along
the way Chris has added his own story through his Axecam – a camera on his
guitar streaming and screening live from the stage.
He's
also done video chats with famous people he's met. Comedian Al Murray, TV
presenter Jeremy Clarkson, Blur's Damon Albarn and singer Peter Andre are among
them.
"That
started as a bit of fun," says Chris, who might also be talking about
Madness's rise.
One of
the most endearing qualities of the band has been to keep it fun and not to
take themselves too seriously. Hence his laid-back description of the Royal and
Olympics gigs as "quite good".
Thirty
years after they bounced into the national consciousness Madness have lost none
of their appeal.
The
inevitable conclusion? It must be love.
Catch
Our House at the Theatre Royal Plymouth from Monday-Saturday next week.
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