“Started
in the late 1950s by the young British working class, the modernist movement
embraced a European sartorial sensibility and a love of modern jazz that
redefined the idea that style was intrinsically tied to wealth and class. The movement
grew in popularity during the 1960s. As the economy fluctuated and America’s
worldwide cultural influence grew, so too did the ways in which the mods were
defined.”
When
photographer Carlotta Cardana arrived in London a few years ago, her interest
was piqued by a new wave of young mods walking around the streets dressed in
the original 1960s mod style.
“I was
impressed by their style—to me they are quintessentially British,” Cardana
said. She found herself obsessed with them and started attending mod parties,
where she approached people asking if she could take their photograph. As she
saw more and more mods, the questions about them began to multiply in her head:
Did they always dress this way? How did their homes look? If they had children,
did they dress them in the mod style?
She
decided to delve deeper into the subculture, one that she found would go “well
beyond their appearance” and included their homes, musical tastes, and love of
scooters. She began the series and titled it “Mod Couples.”
Cardana
quickly realized she was more interested in the mod couples rather than singles
because of the ways in which their identities would merge—not only through each
other but also within the mod culture.
She was also interested in finding out if they would be willing to date
someone outside of the scene. (She didn’t find anyone willing to do that.)
Although
Cardana said she has no problem approaching strangers to take their pictures,
she found it easier to schedule a time for the portraits by asking the women,
since they seemed more eager to have a couples portrait taken. “Guys were
harder to get to follow up,” she said.
Although
many of the couples were in their 20s, Cardana said it isn’t a hipster scene.
Although some people she met were interested in the mod scene superficially, others
were almost militant in their insistence that the “rules” of tailoring were
followed, such as the proper length of a hem or wearing the right socks. As she
started to show the work, she received emails from couples who said they were
part of the original mod movement, but Cardana decided to focus on the new
generation of mods. “I was fascinated by young people who chose to be in an era
that wasn’t theirs,” she said.
Cardana
uses film to take the portraits, saying that it “puts me in a different state
of mind” where she has to slow down and think about the process. She asked each
couple to select an environment where she would take their portrait, requesting
they choose a place that held some significance for them. She has photographed
couples in their homes, cafés, and even in a museum. She said the project is
ongoing and she has received positive feedback from the series so far. She
recently won the Discovery of the Year Award at the International Photography
Awards.
“What
I’m trying to do with my project wasn’t just showing these couples,” Cardana
explained. “I was trying to go beyond it ... I wanted to get a glimpse into
them, I didn’t want it to look like a fashion or interior design project, and I
hope it doesn’t come through like that.”
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