The
lecture began with a brief background on drugs in popular music, from “jazz
cigarettes” (marijuana) and heroin in bebop to the amphetamine-fuelled Mod
scene of the United Kingdom. From there, he described the discovery and
subsequent experimentation with LSD. He flailed his arms and swayed wildly
while re-enacting the world’s first acid trip. One cannot help but wonder how
much of his psychedelic knowledge comes from first-hand experience.
The
majority of the lecture stressed the influence that psychedelics had on late
1960s songwriters, as well as pop culture as a whole. As people experimented
with LSD, a belief grew that the drug could bring about permanent changes in
perspective and awareness. This exploration of the mind was reflected in music
that explored new influences and lyrical styles. While playing “Tomorrow Never
Knows,” by The Beatles, Covach pointed out the Asian influence of the sitar as
well as the lyrics that quoted Timothy Leary’s book, “The Psychedelic
Experience.” “White Rabbit” used classical and jazz influences as well as
surrealist lyrics based on “Alice in Wonderland.” Many people interpret the
novel as a description of a wild psychedelic trip.
Covach
did not shy away from giving his own opinions. He ridiculed Leary’s use of “The
Tibetan Book of the Dead” as a source of “ancient wisdom.”
Covach’s
opinions seemed to line up with those musicians who started to see the drug
culture as an “easy way out” to spiritual enlightenment. Even today, one will
encounter people on psychedelic forums who swear by the spiritual or religious
benefits of these drugs. Some people, Covach explained, make a “secular
religion” out of the drugs.
Part of
what made Covach’s lecture so compelling was the fact that he lived through the
time period he spoke about. This allowed him to provide insight that cannot be
learned in books. His face lit up as he reminisced about an era of music about
which he is clearly passionate. Everyone in attendance left with a better
understanding of psychedelic music, as well as many good reasons to take a
music history class with Covach.
The
presentation was hosted by Delta Upsilon fraternity, and co-sponsored by Alpha
Phi, Chi Omega, and Phi Sigma Sigma sororities.
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