When The
Coventry Music Museum opened its doors at the beginning of November 2013, as
with all major projects, there was something of a cross-fade of feelings; a
project completed on one hand, and a long and exciting journey ahead on the
other. So far that journey has been an exhilarating one and the museum in its
first weeks is seeing some seventy visitors a week.
Rewind
some three years ago and the smiles from the team much in evidence now, were
decidedly up-side-down when our initial project at Coventry University came to
an end. That small project named 2-Tone Central, concentrated just on the
2-Tone genre (2-Tone developed in Coventry in the late 1970s fusing elements of
ska, punk rock, rocksteady, new wave and reggae). Lasting some 11 months, the
project was left homeless as the Student Union moved to newer premises. But,
within a few months, new premises were found and work began to create a museum
to tell everything about Coventry’s varied musical past, not just its ska
history.
The
objectives of the project were clear; we needed to create a unique space, on
limited budgets, to educate and entertain.
We needed to create sections that made sense to the visitor, but in some
cases set challenges. For instance, the juxtaposing of a Victorian Music Hall that
had stood on the same site as The Eclipse Rave Club, and mixing the two
timelines. Coventry has a steadfast tradition of multiculturalism and this is,
unsurprisingly, evident in its music. This too, was an important
point-of-reference in our displays, be it 2-Tone music or Bhangra.
Being an
independent museum run by volunteers, our objectives as a team were,
understandably, flexible. I was very
much against the idea of charging for access to the museum, but industry
experts made it clear that it would create an important income stream. The
nominal charge of £2.00 for adults and £1.00 for children between the ages of 5
and 15, has worked without question.
Our
journey has been a slow one. The museum
was based in a courtyard area that became The 2-Tone Village, consisting of a
cafe, a Caribbean restaurant and record, memorabilia and clothes shops. This
was part of the plan, with a Coventry Wall of Fame keeping the museum idea
alive. We received help from many of our
regular customers, who we refer to as The Ska Family. The Village project was
the idea of Geoff Holden, the man responsible for fitting out the museum to our
demanding criteria. Help was at hand from the likes of Coventry Market, who,
right back at the start, had the passion for all things ‘Coventry’. It was on a market stall where the first idea
of a music display began. They, along with Heart Of England Community
Foundation, gave us funding that helped to create the custom-made display
cabinets. This was closely followed by the creation of our ‘Rude Boys Bedroom’,
a typical Specials/Selecter/Madness fan’s room circa 1981, with all the
trappings of a typical 1980’s teenager, including Brut, a pay packet with pound
notes, a cassette and pencil, posters, magazines of the day, plus a can of Tenants
Beer.
Now at
least when visitors came to see the 2-Tone Village, we had something to show
them, and come they did, not just from all over the country but all over the
world.
Our team
of volunteers continued to grow and things began to fall into place, with a
£10,000 grant from the Big Lottery Fund. With a launch date finally set, the
feet dragging that had occupied the team for several months was transformed
into frantic energy as the museum began to make sense. Posters and artwork were
designed by new partners Dean Eastment at Hyper, and printed free of charge by
Print Works in Coventry, while Lorna Pepler came on board with Silver Moon
Marketing.
Although
we are a small museum, the area has been used perfectly. Our areas include ‘Pre
Pop’ (beginning the story at AD60 and the Roman Occupation) as well as a
reproduction record shop listening booth that tells the story of ‘The Coventry
Sound’. Doc Martens have their own
display and laptop giving visitors the chance to tell the world what they stand
for, and share it on Facebook. There’s a 2-Tone Legacy wall looking at the real
meaning of 2-Tone and its multicultural message. Our temporary exhibition space, is currently
occupied by ‘International Jet set’ looking at 2-Tone’s Global success, with
fans from all over the globe explaining just why they ‘got into’ this very
British music. In February, our second temporary exhibition will look at
Coventry Music Hall star T.E Dunville who is now virtually forgotten but was
earning £100 a week in 1890. Bringing it
right up to date, we also have our ‘Band/Artist Of The month’ showcasing
current Coventry artists, who get to play at Knights venue, below the museum.
The
whole project has cost around £25,000 to create. After just a few weeks, we
have received amazing feedback from our visitors. But we’re not getting carried
away. We know we have much to do in the
future and we are all looking forward to our first school trips - the Rude boys
and girls dressing up boxes await.
Pete Chambers is The Coventry
Telegraph’s Music Correspondent and has written six books about Coventry music.
He is a Coventry Ambassador & has been inducted onto the Coventry Music
Wall of Fame.
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