Essential
transport for 1960s’ Mods, complete with Parka jackets, Ben Sherman shirts and
sharp suits in two tone tonic, the Vespa was a style statement of Italian chic.
Or so people thought, even though the bulbous side-panelled two-strokes were in
fact made in Bristol.
The British
motorcycle maker Douglas built Vespas under licence offering the machines, as
we see from the ad you see here in Standard, Magna and Ultra form.
The grand
gathering of Vespas pictured here was parked outside the Gaumont, in Winchcombe
Street, Cheltenham, in 1960, two years before the cinema changed its name to
the Odeon.
The film
showing at the time was The 39 Steps, starring Kenneth More, which was released
in 1959. It was plainly a big hit with Vespa owners, but the eagle eye may spot
a Lambretta making an attempt to muscle in on the scene in the top right hand
corner of the photo.
Scenes like
this were common in that swingin’ decade. Most Friday and Saturday evenings
scooters embellished with chrome crash bars, spot lamps galore and such
paraphernalia were seen parked outside the YMCA in Vittoria Walk, the High
Street’s Blue Moon, the Sarah Siddon’s in Pittville Street, or wherever the in
place to be was that week.
Some favoured
the Vespa, others the Lambretta, but the important thing was that they were
Italian, (or believed to be) and that meant style. British motorbikes, such as
the BSA, Matchless, or AJS, leaked oil. But on a Vespa, or Lambretta you could
wear your Italian cut suit without getting grease on your tapered trousers with
a crease like a carving knife down the front.
Incidentally,
the Vespa GS ridden by Sting in the 1979 film Quadrophenia by the Who’s Pete
Townshend now resides in the county. You’ll find it in the Littledean Jail
Museum.
Years before
the sewing machine-like whine of a Vespa was heard in Britain, a local firm was
building motor scooters. After the First World War Gloster Aircraft and its
parent company H H Martyn & Co diversified away from making military
aircraft into civil production areas. One of these ventures was the Unibus.
In its issue
of 28 June 1920, Motor Cycling magazine reviewed a locally-made Unibus.
Described as a “one man car, or super scooter”, the Unibus was packed with
engineering innovations, “a distinct break away from the ordinary” in the words
of the magazine.
Looking
rather like a Vespa, the Unibus featured leaf sprung front and rear 16 inch
wheels. The single cylinder, three port, two-stroke engine of 270cc was air
cooled and to start it, a handle on the dashboard was turned.
The machine
had two gears and transmission was via a worm shaft. Constructed on a steel
frame with pressed aluminium panels, the design incorporated a parcel
compartment under the single seat.
Motor Cycling
concluded, “From whatever standpoint the Unibus is viewed, it stands as an
engineer’s job from start to finish. The design marks a new era in the march of
progress of the two wheeler”.
Despite such
praise, the super scooter was a commercial flop, primarily because of its
price. At 95 guineas, the Unibus was only slightly cheaper than a new Model T
Ford.
Only one
Unibus is known to exist today. It’s in the excellent Jet Age Museum at
Staverton and a most interesting curiosity it is too.
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