And
Lyons, who was just a young man with a mop of curly hair, lamentable dress
sense and a thick Cork accent, became an unlikely inspiration for the acclaimed
album Quadrophenia. “At the time Roger Daltrey played lead guitar and trombone.
John Entwistle was on bass and trumpet,” says Lyons. There was “a singer called
Colin Dawson who modelled himself on Cliff Richard, and Pete Townshend played a
rhythm jumbo guitar. The Detours was Roger’s band, really, and if you disagreed
with him on band policy you could get a bunch of fives”.
At the
time Lyons was a clerk with the London Electricity Board, filing documents –
the job “Jimmy” has in Quadrophenia. After seeing the band perform, Lyons was
transfixed. “There was just something about them. I was there on my own,
feeling very self-conscious about my height – I’m just five foot seven – my
curly hair and my accent. I was too embarrassed to chat to anyone,” Lyons says.
“But I
focused in on this guy playing guitar: six foot, straight hair, probably even
has a girlfriend . . . . I just keyholed him afterwards and introduced myself.
“Hello, I’m Jack from Shepherd’s Bush,” I said. Townshend replied in that
cockney twang, “Hello Jack from Shepherd’s Bush, I’m Pete from Ealing.”
Even
though Lyons was two years older than Townshend, he looked up to him as if he
was an older brother.
Band mascot
He became, he says, a kind of band mascot, travelling to early gigs in a van to Oxford, Cambridge and Nottingham. He helped with selling tickets or helping to set up.
“I
wasn’t a roadie. I’m a bit of a snob like that. I never got paid, and never
looked for money. I became a friend of the band. It was around this time the
manager, Kit Lambert, christened me ‘Irish Jack’. They were actually calling me
that before I became aware of it.”
Soon
Jack was doing his best to kit himself out in the mod gear that became the
uniform of the band’s followers – with mixed results.
He
recalls the moment he saw a mod cruising through Hammersmith on a scooter with
chrome crashbars, spotlights, a six-foot aerial, feet pointed out sideways,
wearing a parka jacket over a suit. “It was like seeing Caesar on a Roman
chariot,” he says. “Just sublime. But I was a struggling mod. A failed mod. I
never had a scooter with 24 lamps or wing mirrors.”
After
returning to Cork in 1967, Lyons met his future wife Maura. She too was a big
Who fan. Lyons settled in Cork and became a bus conductor and, later, a
postman. But he kept in touch with Townshend, visiting him in London
occasionally.
The
singer later acknowledged in interviews that Quadrophenia was based on a
character, Irish Jack.
Character parts
“He was
collecting character parts about me through the years,” says Lyons. “I suppose
I see a bit of myself in ‘Substitute’, written about someone who’s trying to be
someone else.
“The
germ for Quadrophenia was a song called ‘Long Live Rock’. It has the lines,
‘Jack is in the alleyway selling tickets made in Hong Kong / Promoter’s in the
pay box wondering where the band’s gone / Back in the pub the guv’nor stops the
clock / Rock is dead they say.’
“I never
made a penny out of it. Was I ever supposed to? I never took a copyright on my
name. My grandchildren might talk about it all in years to come. I’m 69 – but
there’s no Quadrophenia pension. Life’s not like that.”
Lyons
admits he felt deep shock when Townshend was investigated over possession of
child pornography in 2003 – but says he was relieved when police cleared him
later. The singer said he had been doing research for his autobiography as the
singer claimed he had been sexually abused as a child. “It was an unwise thing
to do, but then he’s always been on the edge of reason.”
Lyons is
still in occasional contact with the band. He’s due to meet them again when the
band plays Quadrophenia in Dublin at the 02 arena, 40 years after the album was
released.
Sharp suit
Today
Lyons is still a mod at heart. He’s the proud owner of a scooter – a Vespa 50 –
and still wears a sharp suit and polo neck. “People walk down the street and
see me and say, ‘Is he in theatre’, or ‘Jesus, he’s a mod!’
“I’ll
always be a mod. I’ll take it to the grave.”
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