It is now almost 50 years since the wild men of rock and roll smashed up their instruments on the stage of the old Public Hall – watched by 22 fans.
The Public
Hall has itself been smashed up and turned into a Cornwallis Street car park
since The Who appeared in Barrow in May 13 in 1965.
The
line-up was Roger Daltrey, Pete Townshend, John Entwistle and Keith Moon.
Ten years
ago a claim by a Barrow singer, Danny Patterson, that The Who had never played
in the town promoted a deluge of calls to the Evening Mail.
Among
those who were there for the event was Barrow councillor and Furness walks
guide John Murphy.
He noted
in 2005: “They had just released My Generation and when they played it, it
sounded very loud and pretty terrible.”
Alan
Smith, of Barrow, said the group played on a Thursday night as part of a first
tour outside London.
It had
caused some controversy when the national press quoted the band as saying they
would “never play Barrow or Greenock again.”
Steve
Bundy said that before the gig, the band spent some time in the Criterion pub
on Cornwallis Street.
Wendy
Maddox saw three of the band members in the town centre and gave them
directions to the Public Hall. She spoke to Roger Daltrey.
Linda
Keenan, of Barrow, said: “It was a brilliant night, they went wild smashing
their instruments to pieces on the stage.
“Keith
Moon actually came over to me and we had a conversation.”
Jim
Johnson was there and recalled that the audience at the Public Hall was just
22.
It seems
the band was used to making an early start but the Barrow tradition in the
1960s was to go to gigs after last orders had been called at nearby pubs.
William
Hartley, of Ulverston, couldn’t get to the gig because he was ill but had a
ticket – which cost 6/6 (32p).”
On June 18
in 1965 the band was at Morecambe, playing in the Floral Hall and on August 13
was back for a show in the Marine Ballroom, on the Central Pier.
On October
9 in 1965 the up-and-coming band played at the Market Hall, Carlisle.
This year
had seen The Who enter the national musical mainstream, thanks to the success
of their first two singles, I Can’t Explain and Anyway, Anyhow, Anywhere, which
provided them with numerous appearances on BBC radio and television, most
notably the Ready Steady Go! TV program.
Meanwhile
the band performed continuously in the United Kingdom throughout the year, with
brief stops in France and Scandinavia.
Their act consisted
mostly of R &B and Tamla Motown covers, but more and more original material
appeared as the year wore on, particularly by the release of the My Generation
album in December.
The
instrument destruction that marked the band’s early years was at its height at
this stage.
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