SKA icons
The Selecter have announced a UK tour that includes dates in Southampton and
Salisbury.
Celebrating
five years since their reunion and supporting the release of their new album
Subculture the band will play Salisbury City Hall On February 20 and The Brook,
Southampton, on February 21.
During the
past half-decade The Selecter, led by their legendary frontwoman Pauline Black,
have become increasingly aware that their championing of two-tone/ska music is
firmly rooted outside of today’s mainstream genres. Indeed, ska doesn’t even
exist as a music category on iTunes.
Despite
this anomaly, with more than 110,000 Facebook fans and many more across other
social networks, The Selecter’s following is worldwide and they remain
figureheads for a wide stratum of subcultures such as skinheads, mods, punks,
northern-soulers and many other groups who similarly define themselves at
variance with the status quo.
Pauline
Black says: “We are great believers in calling things as we see them. We
realise that ska/two-tone was, and still is, an umbrella for many subcultures.
"This
feeling of inclusivity is reflected in Subculture, which seeks to celebrate our
diverse musical influences – from soca and calypso, to reggae and electronica –
and reflect the concerns and tastes of the subcultures that readily embrace
them.
“We
deliver songs that are unafraid to discuss the current situation in the Middle
East, the intricacies of sexual politics, or the violence of social unrest.”
In the
last two years alone The Selecter have headlined hundreds of gigs, toured with
bands as diverse as PiL and The Levellers, played Glastonbury, Isle Of Wight
and Coachella festivals and performed extensively across the USA, Canada,
Australia and New Zealand.
Wherever
they perform, however big or small the event, The Selecter never fail to win
the audience over to their infectious musical style and message.
The world
has moved on since two-tone first arrived on the scene in 1979 and The Selecter
have committed to moving right along with it.
For them
it is about moving away from the nostalgia debates that predominate with bands
of similar longevity and focusing on the contemporary and revitalizing optimism
that their live performance engenders in audiences all over the world.
It’s in
their DNA.
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